Те самые известные архитекторы Изумрудный берег
Луиджи Виетти (Luigi Vietti)
Родился в городе Новара и прожил до 95 лет, оставаясь в здравом уме до своих последних дней. Свои юные годы он посвятил сохранению уже существующих монументальных сооружений самого молоду он был поглощен идеей создания монументальных сооружений. Эта идея нашла свое воплощение в мастер-планах Кортина, Генуи, Сан-Ремо, Портофино.
Луиджи Виетти провел большую часть своей жизни в Кортине, где при его участии было возведено много новых и перестроено много старых домов. В начале 60-х годов молодой Ага Хан завербовал его, чтобы заложить архитектурные основы строительства летнего курорта. Вместе с Микеле Bичи и Жаком Куэллем Луиджи Виетти организовал Комитет архитектуры Консорциума Коста Смеральда. В этой организации действовали свои незыблемые правила защиты окружающей среды. Виетти внес также большой вклад в дизайн высококачественной керамической плитки и керамики Черасарда (Cerasarda), которыми украсили ванные комнаты и кухни в роскошных виллах Коста Смеральда.
Самые выдающиеся виллы - это виллы деревни Порто Черво, которые считаются шедевром городского дизайна ( в одной из них поселился сам Ага Хан). Далее по значению следуют гостиница в Лисчиа ди Вакка Питрицца(Pitrizza) и виллы группы Ромаццино ( Romazzino), на холме рядом с морем. В последующие годы Виетти создал в своем воображении и спроектировал еще несколько шикарных домов. Он играл важную роль во всех архитектурных решениях Коста Смеральды.
Комплекс Dolce Sposa (Долче Споза в переводе Сладкая невеста), у входа в бухту Порто Черво является его проектом , также, как элегантные Кала Грану и Кала дель Фаро. Кстати, название Сладкая невеста придумал сам Виетти. Это было связано с тем, что на заре Коста Смеральды молодые жены основателей архитекторов (как их назвал Виетти "сладкие невесты") проводили время на этом пляже, в то время как их мужья работали над созданием самого первого комплекса - деревни Порто Черво.
Приступая к работе по проектированию Кала дель Фаро, Виетти сначала разработал живописный фасад. Затем он поставил перед своими помощниками трудную задачу внутренней планировки квартир в сочетании с проектами окон и открытых террас. Это создавало красоту и гармонию во всех его проектах. В соответствии с оригиналами Виетти строились величественные здания с роскошными номерами, большими ванными комнатами и т.д.., Сегодня, к сожалению, в связи с нехваткой пространства это является редкостью.
Большой любитель моря и парусного спорта Луиджи Виетти был владельцем одной из самых красивых парусных лодок эпохи Тамоури (Tamoury). В своей прекрасной вилле в Порто Черво он собрал несколько моделей древних парусных лодок и стал одним из основателей яхт-клуба Коста Смеральда.
Jacques Couelle
This brilliant father and son pair of artists and architects, has played a crucial role in the development of the Costa Smeralda style of architecture. They have produced a real masterpiece of art, which has become famous in the world, the Hotel Cala di Volpe, which on the outside appears to be an ancient Mediterranean fishing village, whereas on the inside it is a modern creation of surreal architecture, which envelops and stimulates the spirit of its visitors.
The very eclectic Jacques Couelle, who was companion to Pablo Picasso and Salvador Dalí, was granted Honorary Membership at the Académie des
Beaux-Arts of the Institut de France, for his artistic prowess. Brought to the Costa Smeralda by the Aga Khan, Jacques chose for his abode the rocky outcrop at Monte Mannu, towering over Abbiadori and the Cala di Volpe bay, where he built a sculptured home amongst the rocks. After a long and brilliant career, he passed away at the age of 95.
Savin Couelle
This brilliant father and son pair of artists and architects, has played a crucial role in the development of the Costa Smeralda style of architecture.
They have produced a real masterpiece of art, which has become famous in the world, the Hotel Cala di Volpe, which on the outside appears to
be an ancient Mediterranean fishing village, whereas on the inside it is a modern creation of surreal architecture, which envelops and stimulates the
spirit of its visitors.
Savin Couelle, of no inferior status to his father in artistic talents, has continued working in the Costa Smeralda, with a prolific production of fascinating villas, so much so that he has almost become a myth amongst Couelle aficionados.
Many a potential home-buyer has entered an estate agency in Porto Cervo seeking only and nothing but, a Couelle Villa.
Savin’s homes are full of curves, vaulted ceilings, twisted juniper beams, peculiar niches and many elaborate details, built by hand-picked excellent local artisans, utilising special, rare materials. The result is more often a sculpture rather than architecture, unless this style is to be considered a precursor of future architecture, much has it been copied, with varying degrees of success by other qualified and often unqualified imitators.
Apart from the Hotel Cala di Volpe, Savin Couelle has designed the Maison du Port on the old port of Porto Cervo and the nearby Capitaneria apartments, the Cala Corallina and Il Poggio villas at Cala Granu, the village of Alba Ruja at Liscia di Vacca, the villas of Petramanna and many,
many other splendid villas scattered here and there over the Costa Smeralda.
In appreciation of the hospitality and friendship of the Sardinian people, Savin donated his professional talents for the creation of a convent at Nuoro, adding another Couelle masterpiece to enhance the Sardinian landscape.
He has often been called to other nations around the world to design important palaces for princes and magnates, where he regularly brings his team of Sardinian craftsmen, who are the only ones who can interpret his wishes and satisfy his demanding attention to artistic detail.
In the words of Anna Wakhevitch-Corsy:
Savin Couelle’s style is not just a design that sets one dreaming; it is also a display of real technical know-how and mastery in the use of materials.
Il creates an interrelationship between exterior and interior, it rationalizes space and gives an expression of grandeur even in the most restricted places. Great attention to detail and to the entire construction rests on an ingenious balance which, again, is the expression of his style.
Michele Busiri Vici
Michele Busiri Vici came from a long family line of architects, going right back to the 1600’s.
Of Roman origin, his domain was the nearby coastline of Sabaudia, where he devised the Town Plan and the norms for the protection of the
environment. He succeeded in harmonising his buildings with nature, to the
extent of bringing in and enhancing the natural elements and colours found in
nature.
He integrated various elements taken from other Mediterranean countries, including Tunisia Morocco, Spain and Greece and developed what is now known as the Mediterranean Architecture. He uses white-washed rounded walls, terraced arches, Arabic domes and gayly painted green or blue window shutters and pergolas, producing a joyous result and enhancing the countryside, much appreciated by the holiday-home-seekers along
the coasts of Italy.
Invited by the Aga Khan to join Luigi Vietti and Jacque Couelle to form the Architectural Committee of the Costa Smeralda, Busiri Vici realised several projects, which were landmarks on the Sardinian coast: the Sa Conca apartment complex on the hill of Porto Cervo, the nearby Hotel Luci di la Muntagna and the Hotel Romazzino, culminating in his masterpiece, the church of Stella Maris.
Michele Busiri Vici was soon followed in the family tradition by his son Giancarlo Busiri Vici and together the designed many beautiful villas
and the Sabba Ilde and Sas Pedras apartments on the water’s edge by the Marina.
Peter Schneck
Peter Schneck, with a German father was born in Connecticut, USA and graduated in architecture at Cornel University.
In the early 60’s he moved to Rome, Italy, where he worked for Michele Busiri Vici, who was soon to be encharged by the Aga Khan with the new
Costa Smeralda development.
Peter Schneck’s early work closely followed the Busiri Vici tradition of flowing Moorish-style, white-washed buildings. He transferred his residence to La Maddalena in Sardinia, though he always maintained close ties with the eternal city.
A holiday in Peru created a fundamental change in the young Peter, where he was profoundly struck with the simplicity of the Mayan stone temples
of Macciu Picciu. Perhaps his rationalistic American upbringing, together with his rigid Teutonic origins, prevailed over the romantic Moorish Costa Smeralda architecture that was currently being developed. Peter Schneck set out on his own and his new houses were now predominantly in stone and monumental in form, epitomised by his famous personal home, built on a rocky peak in Liscia di Vacca, on the road to Baia Sardinia.
Peter achieved a large following, especially amongst the English and German community and built many luxury villas on the Costa Smeralda, many
of which were published in architectural magazines. These homes were quite geometric and simplistic in form and practical to live in; take for example,
the homes of Marjorie Grahame and Gregory Hood in Romazzino, Ockie Yeaborough and Per Erichsen in Piccolo Romazzino, Tim Rootes in Liscia di Vacca and Dirk Pey in Pevero Golf.
One of his most significant buildings, designed just before his untimely death in 1990, was the Hotel Nuraghe in Baia Sardinia, which recalls very clearly the Macciu Picciu temple.
The actual construction of this hotel was followed by the young apprentice, Pietro Giordo.
Gerard Bethoux
Gerard Bethoux began visiting the Costa Smeralda when he was still a university student, staying in the family’s home at Piccolo Romazzino.
Their villa had been designed by the architect Savin Couelle, who was to have a strong influence on the young Gerard. In fact, once graduated in architecture in France, he came to live in Sardinia and workd with Couelle.
After several years he set off on his own and founded a very successful studio, based in San Pantaleo.
Gerard Bethoux has designed many luxury villas, developing his own style, but very much in the Couelle tradition. He was also author of the Pevero Hill complex in Pantogia.
Giuseppe Polese
Giuseppe Polese, of Neapolitan origin, with a home in Capri, arrived in Costa Smeralda in 1962, at the employ of the Grassetto construction company, to begin building the Hotels Pitrizza, Cala di Volpe and Villa Bettina, for the Aga Khan. Then they proceeded with the Village of Porto Cervo and the Cerbiatte villas, where the Aga Khan has his own home.
In 1965 he set up his own architectural firm in Olbia and in 1967 moved to Porto Cervo, together with architect Jean-Paul Demarchi. He worked briefly with Savin Couelle on Maison du Port, on the old port of Porto Cervo and then went on to design the Residenza sul Porto just behind and a total of 49 villas and 15 hotels, including the Hotel Ginestre, Nibaru, Pirata, Residence Park and Rocce Sarde in San Pantaleo. He revised the Cala del Faro project and supervised its construction.
Today Giuseppe Polese works from his studio in the Porto Cervo Village.
Jean Claude Lesuisse
A pupil and follower of the architect Couelle, Lesuisse, Belgian now "naturalized" Sardinian, designs and creates something unique every time fusing the strong imprint of the master Couelle the deep respect for the environment and local traditions.
The need to draw from this fascinating land that is needed, but essential, and modeled on it, led him to develop his architectural philosophy of naturalistic stamp, for example, where the great granite boulders processed by the wind become objects to be protected and value.
"Designer of Dreams", Lesuisse works on the differences in volume, wise use of materials and the artistic vision of the house but it fits perfectly to the functionality and livability.
Enter and experience a house designed by Jean-Claude Lesuisse is a true multi-sensory journey, where sight and touch meet the stone, iron, glass, wood, whose skilful use by the teacher helps to undermine the traditional canons of perspective layering unexpected.
The ARCHITECT
Energy, matter, mind.
In these elements of the theory that encompasses the three universal components, reflecting the artistic personality of Jean-Claude Lesuisse: spontaneous breathing and movement of architecture and ever-expanding, constantly listening to nature and man.
Enter a house of Jean-Claude Lesuisse is a sensory journey: tactile and visual emotion, in feeling the stone, rock, glass, steel, wood shaped to complement the masonry.
The set of games perspective undermines the architectural symmetry and so-called mental.
Accomplice in the light that enters from the wide windows of polymorphic inlay volumes extolling the concave and convex walls of the sculptures. A
house-carving fun, playful, with the spaces created, towers, lofts and attics in which to hide, scale-paths, swimming pools and small lakes.
Belgian-French architect, Jean-Claude Lesuisse, he moved to Sardinia in a period in which the architecture of tourism was yet to be created, contributing to the birth of the style of the Costa Smeralda.
The sea, the wind and the rocks were his first guide elements, the instigators of an organic architecture, timeless art in an original and preserved.
The constants of the design principles are simple but come together in different creations: to respect the environment, minimizing the aggressive aspects, using the contours of the land (which become a strength with which the game joust on various architectural layers ),
Mediterranean vegetation, using local materials in order to merge and blend with the surrounding area, restore the historical thread with a new key of
interpretation, as if to sum up the many stylistic models that have passed through centuries of history, using light as an architectural support to spread, and channel filtering through large windows fixed and varied, skylights, light pipes or walls punctuated by multicolored mosaics: an invitation to escape she charging energy, melting space, eliminating the boundary between inside and outside, in places that open to gardens as a living theater.
The attention to detail and finish leads to the creation of the original merger between glass, pebbles, stones, steel and recycled materials, with the effects
of an unexpected refinement details that evoke ethnic forms, archaic, essential.
THE WORKS OF THE STUDY LESUISSE
Among the works of Studio Lesuisse nationally and internationally include the most recent works:
Il complesso turistico Le Maree a Porto Cervo
Il Villaggio di Cala Corallina in Costa Smeralda
Il complesso di ville Kaleidos al Pevero Golf
La ristrutturazione del Villaggio di Poltu Quatu;
Un centinaio di ville in Costa Smeralda, all’Isola della Maddalena e Santa Teresa di Gallura
Hotel cinque stelle Melià a Poltu Quatu
Il complesso della piazza del Principe a Porto Cervo
Le prestigiose ville di Pantogia sulla Costa
Un complesso residenziale a Canniggione, oltre al cantiere già attivo del complesso residenziale-alberghiero di Terrata (Spiaggia Bianca) a Golfo Aranci
Il Villaggio di Alba Ruia, il Complesso della Capitaneria a Porto Cervo
Il Centro Civico di Budoni
Enzo Satta
Experience: 26 years of professional experience as an architect and urban planner for projects professional medium and large scale national and international, in Europe, America, Africa, Australia and Asia.
1985 - 1998 Budget Costa Smeralda - Sardinia Ciga Immobiliare
Responsible for the design of the Master Plan of the Costa Smeralda.
The project is to complete the first phase of development of tourism in the Costa Smeralda started in 1964, and in the second phase of the development proposal.
This second phase includes the completion of the marina of Porto Cervo and the construction of two new villages portituristici marine and related support structures.
The project covers an area of 3 000 hectares includes also the construction of 4 new golf courses in addition to the existing Pevero, the creation of 11 new hotels with a total of 5 000 beds which will be added to five existing hotel facilities, and finally, the construction of settlements for 3,900 units.
The total volume is expected to last two and half million cubic meters which will add to that already achieved one million three hundred thousand
cubic meters, all on a total area of 3,000 hectares with a coastline of 45 kilometers.
The planned investment of
2,900 billion, of which 210 billion for infrastructure and port facilities.
1973 - 1979 Technical Services of the Costa Smeralda - Porto Cervo
Project architect for the completion of phase one of the Costa Smeralda, Porto Cervo
Pierre André Podbielski
Pierre André Podbielski is a citizen of the world.
Of Polish and German descent (his father was Prussian raised in Berlin, his mother Polish raised in Vienna), born in Geneva and bearing an Australian passport, he is fluent in french, german and italian.
A qualified architect (Ecole des Beaux Arts in Paris), a passionate collector, he has become an art dealer and an active partner of Galleria Rubin since 2001, where his main area of expertise is abstract painting, photography and site specific commissions.
His participation in numerous fairs (Art Cologne, Artefiera Bologna, Miart, Preview Berlin) has allowed him to establish a qualified network of contacts among artists, galleries, curators and collectors.
In order to best consolidate such acquired experience, he has opened a Home Gallery in Milan, as well as launching a new gallery: Podbielski Contemporary in Berlin Mitte in January 2011.
Pietro Giordo
Pietro Giordo, of Sassari, started working with Peter Schneck straight after High School and remained right through his university studies at Genoa, where he graduated in architecture in 1983. Pietro was much influenced by the rationality of Peter Schneck and acquired a refined sensitivity,
necessary to satisfy the sofisticated requirements of the demanding Costa Smeralda clientele.
He has been working on the Costa Smeralda ever since and has a special experience in the design and construction of farm-homes in the country-side.
Луиджи Виетти (Luigi Vietti)
Родился в городе Новара и прожил до 95 лет, оставаясь в здравом уме до своих последних дней. Свои юные годы он посвятил сохранению уже существующих монументальных сооружений самого молоду он был поглощен идеей создания монументальных сооружений. Эта идея нашла свое воплощение в мастер-планах Кортина, Генуи, Сан-Ремо, Портофино.
Луиджи Виетти провел большую часть своей жизни в Кортине, где при его участии было возведено много новых и перестроено много старых домов. В начале 60-х годов молодой Ага Хан завербовал его, чтобы заложить архитектурные основы строительства летнего курорта. Вместе с Микеле Bичи и Жаком Куэллем Луиджи Виетти организовал Комитет архитектуры Консорциума Коста Смеральда. В этой организации действовали свои незыблемые правила защиты окружающей среды. Виетти внес также большой вклад в дизайн высококачественной керамической плитки и керамики Черасарда (Cerasarda), которыми украсили ванные комнаты и кухни в роскошных виллах Коста Смеральда.
Самые выдающиеся виллы - это виллы деревни Порто Черво, которые считаются шедевром городского дизайна ( в одной из них поселился сам Ага Хан). Далее по значению следуют гостиница в Лисчиа ди Вакка Питрицца(Pitrizza) и виллы группы Ромаццино ( Romazzino), на холме рядом с морем. В последующие годы Виетти создал в своем воображении и спроектировал еще несколько шикарных домов. Он играл важную роль во всех архитектурных решениях Коста Смеральды.
Комплекс Dolce Sposa (Долче Споза в переводе Сладкая невеста), у входа в бухту Порто Черво является его проектом , также, как элегантные Кала Грану и Кала дель Фаро. Кстати, название Сладкая невеста придумал сам Виетти. Это было связано с тем, что на заре Коста Смеральды молодые жены основателей архитекторов (как их назвал Виетти "сладкие невесты") проводили время на этом пляже, в то время как их мужья работали над созданием самого первого комплекса - деревни Порто Черво.
Приступая к работе по проектированию Кала дель Фаро, Виетти сначала разработал живописный фасад. Затем он поставил перед своими помощниками трудную задачу внутренней планировки квартир в сочетании с проектами окон и открытых террас. Это создавало красоту и гармонию во всех его проектах. В соответствии с оригиналами Виетти строились величественные здания с роскошными номерами, большими ванными комнатами и т.д.., Сегодня, к сожалению, в связи с нехваткой пространства это является редкостью.
Большой любитель моря и парусного спорта Луиджи Виетти был владельцем одной из самых красивых парусных лодок эпохи Тамоури (Tamoury). В своей прекрасной вилле в Порто Черво он собрал несколько моделей древних парусных лодок и стал одним из основателей яхт-клуба Коста Смеральда.
Jacques Couelle
This brilliant father and son pair of artists and architects, has played a crucial role in the development of the Costa Smeralda style of architecture. They have produced a real masterpiece of art, which has become famous in the world, the Hotel Cala di Volpe, which on the outside appears to be an ancient Mediterranean fishing village, whereas on the inside it is a modern creation of surreal architecture, which envelops and stimulates the spirit of its visitors.
The very eclectic Jacques Couelle, who was companion to Pablo Picasso and Salvador Dalí, was granted Honorary Membership at the Académie des
Beaux-Arts of the Institut de France, for his artistic prowess. Brought to the Costa Smeralda by the Aga Khan, Jacques chose for his abode the rocky outcrop at Monte Mannu, towering over Abbiadori and the Cala di Volpe bay, where he built a sculptured home amongst the rocks. After a long and brilliant career, he passed away at the age of 95.
Savin Couelle
This brilliant father and son pair of artists and architects, has played a crucial role in the development of the Costa Smeralda style of architecture.
They have produced a real masterpiece of art, which has become famous in the world, the Hotel Cala di Volpe, which on the outside appears to
be an ancient Mediterranean fishing village, whereas on the inside it is a modern creation of surreal architecture, which envelops and stimulates the
spirit of its visitors.
Savin Couelle, of no inferior status to his father in artistic talents, has continued working in the Costa Smeralda, with a prolific production of fascinating villas, so much so that he has almost become a myth amongst Couelle aficionados.
Many a potential home-buyer has entered an estate agency in Porto Cervo seeking only and nothing but, a Couelle Villa.
Savin’s homes are full of curves, vaulted ceilings, twisted juniper beams, peculiar niches and many elaborate details, built by hand-picked excellent local artisans, utilising special, rare materials. The result is more often a sculpture rather than architecture, unless this style is to be considered a precursor of future architecture, much has it been copied, with varying degrees of success by other qualified and often unqualified imitators.
Apart from the Hotel Cala di Volpe, Savin Couelle has designed the Maison du Port on the old port of Porto Cervo and the nearby Capitaneria apartments, the Cala Corallina and Il Poggio villas at Cala Granu, the village of Alba Ruja at Liscia di Vacca, the villas of Petramanna and many,
many other splendid villas scattered here and there over the Costa Smeralda.
In appreciation of the hospitality and friendship of the Sardinian people, Savin donated his professional talents for the creation of a convent at Nuoro, adding another Couelle masterpiece to enhance the Sardinian landscape.
He has often been called to other nations around the world to design important palaces for princes and magnates, where he regularly brings his team of Sardinian craftsmen, who are the only ones who can interpret his wishes and satisfy his demanding attention to artistic detail.
In the words of Anna Wakhevitch-Corsy:
Savin Couelle’s style is not just a design that sets one dreaming; it is also a display of real technical know-how and mastery in the use of materials.
Il creates an interrelationship between exterior and interior, it rationalizes space and gives an expression of grandeur even in the most restricted places. Great attention to detail and to the entire construction rests on an ingenious balance which, again, is the expression of his style.
Michele Busiri Vici
Michele Busiri Vici came from a long family line of architects, going right back to the 1600’s.
Of Roman origin, his domain was the nearby coastline of Sabaudia, where he devised the Town Plan and the norms for the protection of the
environment. He succeeded in harmonising his buildings with nature, to the
extent of bringing in and enhancing the natural elements and colours found in
nature.
He integrated various elements taken from other Mediterranean countries, including Tunisia Morocco, Spain and Greece and developed what is now known as the Mediterranean Architecture. He uses white-washed rounded walls, terraced arches, Arabic domes and gayly painted green or blue window shutters and pergolas, producing a joyous result and enhancing the countryside, much appreciated by the holiday-home-seekers along
the coasts of Italy.
Invited by the Aga Khan to join Luigi Vietti and Jacque Couelle to form the Architectural Committee of the Costa Smeralda, Busiri Vici realised several projects, which were landmarks on the Sardinian coast: the Sa Conca apartment complex on the hill of Porto Cervo, the nearby Hotel Luci di la Muntagna and the Hotel Romazzino, culminating in his masterpiece, the church of Stella Maris.
Michele Busiri Vici was soon followed in the family tradition by his son Giancarlo Busiri Vici and together the designed many beautiful villas
and the Sabba Ilde and Sas Pedras apartments on the water’s edge by the Marina.
Peter Schneck
Peter Schneck, with a German father was born in Connecticut, USA and graduated in architecture at Cornel University.
In the early 60’s he moved to Rome, Italy, where he worked for Michele Busiri Vici, who was soon to be encharged by the Aga Khan with the new
Costa Smeralda development.
Peter Schneck’s early work closely followed the Busiri Vici tradition of flowing Moorish-style, white-washed buildings. He transferred his residence to La Maddalena in Sardinia, though he always maintained close ties with the eternal city.
A holiday in Peru created a fundamental change in the young Peter, where he was profoundly struck with the simplicity of the Mayan stone temples
of Macciu Picciu. Perhaps his rationalistic American upbringing, together with his rigid Teutonic origins, prevailed over the romantic Moorish Costa Smeralda architecture that was currently being developed. Peter Schneck set out on his own and his new houses were now predominantly in stone and monumental in form, epitomised by his famous personal home, built on a rocky peak in Liscia di Vacca, on the road to Baia Sardinia.
Peter achieved a large following, especially amongst the English and German community and built many luxury villas on the Costa Smeralda, many
of which were published in architectural magazines. These homes were quite geometric and simplistic in form and practical to live in; take for example,
the homes of Marjorie Grahame and Gregory Hood in Romazzino, Ockie Yeaborough and Per Erichsen in Piccolo Romazzino, Tim Rootes in Liscia di Vacca and Dirk Pey in Pevero Golf.
One of his most significant buildings, designed just before his untimely death in 1990, was the Hotel Nuraghe in Baia Sardinia, which recalls very clearly the Macciu Picciu temple.
The actual construction of this hotel was followed by the young apprentice, Pietro Giordo.
Gerard Bethoux
Gerard Bethoux began visiting the Costa Smeralda when he was still a university student, staying in the family’s home at Piccolo Romazzino.
Their villa had been designed by the architect Savin Couelle, who was to have a strong influence on the young Gerard. In fact, once graduated in architecture in France, he came to live in Sardinia and workd with Couelle.
After several years he set off on his own and founded a very successful studio, based in San Pantaleo.
Gerard Bethoux has designed many luxury villas, developing his own style, but very much in the Couelle tradition. He was also author of the Pevero Hill complex in Pantogia.
Giuseppe Polese
Giuseppe Polese, of Neapolitan origin, with a home in Capri, arrived in Costa Smeralda in 1962, at the employ of the Grassetto construction company, to begin building the Hotels Pitrizza, Cala di Volpe and Villa Bettina, for the Aga Khan. Then they proceeded with the Village of Porto Cervo and the Cerbiatte villas, where the Aga Khan has his own home.
In 1965 he set up his own architectural firm in Olbia and in 1967 moved to Porto Cervo, together with architect Jean-Paul Demarchi. He worked briefly with Savin Couelle on Maison du Port, on the old port of Porto Cervo and then went on to design the Residenza sul Porto just behind and a total of 49 villas and 15 hotels, including the Hotel Ginestre, Nibaru, Pirata, Residence Park and Rocce Sarde in San Pantaleo. He revised the Cala del Faro project and supervised its construction.
Today Giuseppe Polese works from his studio in the Porto Cervo Village.
Jean Claude Lesuisse
A pupil and follower of the architect Couelle, Lesuisse, Belgian now "naturalized" Sardinian, designs and creates something unique every time fusing the strong imprint of the master Couelle the deep respect for the environment and local traditions.
The need to draw from this fascinating land that is needed, but essential, and modeled on it, led him to develop his architectural philosophy of naturalistic stamp, for example, where the great granite boulders processed by the wind become objects to be protected and value.
"Designer of Dreams", Lesuisse works on the differences in volume, wise use of materials and the artistic vision of the house but it fits perfectly to the functionality and livability.
Enter and experience a house designed by Jean-Claude Lesuisse is a true multi-sensory journey, where sight and touch meet the stone, iron, glass, wood, whose skilful use by the teacher helps to undermine the traditional canons of perspective layering unexpected.
The ARCHITECT
Energy, matter, mind.
In these elements of the theory that encompasses the three universal components, reflecting the artistic personality of Jean-Claude Lesuisse: spontaneous breathing and movement of architecture and ever-expanding, constantly listening to nature and man.
Enter a house of Jean-Claude Lesuisse is a sensory journey: tactile and visual emotion, in feeling the stone, rock, glass, steel, wood shaped to complement the masonry.
The set of games perspective undermines the architectural symmetry and so-called mental.
Accomplice in the light that enters from the wide windows of polymorphic inlay volumes extolling the concave and convex walls of the sculptures. A
house-carving fun, playful, with the spaces created, towers, lofts and attics in which to hide, scale-paths, swimming pools and small lakes.
Belgian-French architect, Jean-Claude Lesuisse, he moved to Sardinia in a period in which the architecture of tourism was yet to be created, contributing to the birth of the style of the Costa Smeralda.
The sea, the wind and the rocks were his first guide elements, the instigators of an organic architecture, timeless art in an original and preserved.
The constants of the design principles are simple but come together in different creations: to respect the environment, minimizing the aggressive aspects, using the contours of the land (which become a strength with which the game joust on various architectural layers ),
Mediterranean vegetation, using local materials in order to merge and blend with the surrounding area, restore the historical thread with a new key of
interpretation, as if to sum up the many stylistic models that have passed through centuries of history, using light as an architectural support to spread, and channel filtering through large windows fixed and varied, skylights, light pipes or walls punctuated by multicolored mosaics: an invitation to escape she charging energy, melting space, eliminating the boundary between inside and outside, in places that open to gardens as a living theater.
The attention to detail and finish leads to the creation of the original merger between glass, pebbles, stones, steel and recycled materials, with the effects
of an unexpected refinement details that evoke ethnic forms, archaic, essential.
THE WORKS OF THE STUDY LESUISSE
Among the works of Studio Lesuisse nationally and internationally include the most recent works:
Il complesso turistico Le Maree a Porto Cervo
Il Villaggio di Cala Corallina in Costa Smeralda
Il complesso di ville Kaleidos al Pevero Golf
La ristrutturazione del Villaggio di Poltu Quatu;
Un centinaio di ville in Costa Smeralda, all’Isola della Maddalena e Santa Teresa di Gallura
Hotel cinque stelle Melià a Poltu Quatu
Il complesso della piazza del Principe a Porto Cervo
Le prestigiose ville di Pantogia sulla Costa
Un complesso residenziale a Canniggione, oltre al cantiere già attivo del complesso residenziale-alberghiero di Terrata (Spiaggia Bianca) a Golfo Aranci
Il Villaggio di Alba Ruia, il Complesso della Capitaneria a Porto Cervo
Il Centro Civico di Budoni
Enzo Satta
Experience: 26 years of professional experience as an architect and urban planner for projects professional medium and large scale national and international, in Europe, America, Africa, Australia and Asia.
1985 - 1998 Budget Costa Smeralda - Sardinia Ciga Immobiliare
Responsible for the design of the Master Plan of the Costa Smeralda.
The project is to complete the first phase of development of tourism in the Costa Smeralda started in 1964, and in the second phase of the development proposal.
This second phase includes the completion of the marina of Porto Cervo and the construction of two new villages portituristici marine and related support structures.
The project covers an area of 3 000 hectares includes also the construction of 4 new golf courses in addition to the existing Pevero, the creation of 11 new hotels with a total of 5 000 beds which will be added to five existing hotel facilities, and finally, the construction of settlements for 3,900 units.
The total volume is expected to last two and half million cubic meters which will add to that already achieved one million three hundred thousand
cubic meters, all on a total area of 3,000 hectares with a coastline of 45 kilometers.
The planned investment of
2,900 billion, of which 210 billion for infrastructure and port facilities.
1973 - 1979 Technical Services of the Costa Smeralda - Porto Cervo
Project architect for the completion of phase one of the Costa Smeralda, Porto Cervo
Pierre André Podbielski
Pierre André Podbielski is a citizen of the world.
Of Polish and German descent (his father was Prussian raised in Berlin, his mother Polish raised in Vienna), born in Geneva and bearing an Australian passport, he is fluent in french, german and italian.
A qualified architect (Ecole des Beaux Arts in Paris), a passionate collector, he has become an art dealer and an active partner of Galleria Rubin since 2001, where his main area of expertise is abstract painting, photography and site specific commissions.
His participation in numerous fairs (Art Cologne, Artefiera Bologna, Miart, Preview Berlin) has allowed him to establish a qualified network of contacts among artists, galleries, curators and collectors.
In order to best consolidate such acquired experience, he has opened a Home Gallery in Milan, as well as launching a new gallery: Podbielski Contemporary in Berlin Mitte in January 2011.
Pietro Giordo
Pietro Giordo, of Sassari, started working with Peter Schneck straight after High School and remained right through his university studies at Genoa, where he graduated in architecture in 1983. Pietro was much influenced by the rationality of Peter Schneck and acquired a refined sensitivity,
necessary to satisfy the sofisticated requirements of the demanding Costa Smeralda clientele.
He has been working on the Costa Smeralda ever since and has a special experience in the design and construction of farm-homes in the country-side.